HISTORICKÝ ČASOPIS |
5/2023 |
VEDECKÝ ČASOPIS O DEJINÁCH SLOVENSKA A STREDNEJ EURÓPY |
VEDECKÝ ČASOPIS O DEJINÁCH SLOVENSKA A
STREDNEJ EURÓPY
VYDÁVA HISTORICKÝ ÚSTAV SLOVENSKEJ AKADÉMIE VIED, V. V. I. ISSN 0018-2575 (print) ISSN 2585-9099 (online) EV 3084/09 Všetky obsahy sú čitateľom voľne dostupné podľa licencie Creative Commons CC BY 4.0. Indexovanie a abstraktovanie: Web of Science Core Collection: Arts & Humanities Citation Index Additional Web of Science Indexes: Current Contents Arts & Humanities Scopus CEEOL CEJSH EBSCO Historical Abstracts ESF (HUM) |
AKTUÁLNE ČÍSLO | REDAKCIA | POKYNY PRE AUTOROV | ARCHÍV | PREDPLATNÉ | O ČASOPISE | PUBLIKAČNÁ ETIKA | VÝZVY
Historický časopis, 62, 4/2014 O B S A H Š t ú d i e Bystrický, Peter: Obraz vlkolaka v stredovekej
literatúre ... 597 Rozhľady Savič, Zvezdan – Zdravkovič, Danijela – Šiljak,
Violeta: Sokolstvo ako model interkulturálnej spolupráce ... 679 R e c e n z i e Schleiff, Hartmut – Konečný, Peter et al. Staat,
Bergbau und Bergakademie (Miroslav Lacko) ... 719 Glosy ... 727 Kronika ... 733 Slovenská historiografia 2012 (Alžbeta Sedliaková) ... 739 C O N T E N T S A r t i c l e s Bystrický, Peter: The image of the werewolf in
medieval literature ... 597 Horizons Savič, Zvezdan – Zdravkovič, Danijela – Šiljak,
Violeta: The “Sokol” movement as a model of intercultural cooperation ... 679 Slovak Historiography in 2012 (Alžbeta Sedliaková) ... 739 R E V I E W – A N N O T A T I O N S – B I B L I O G R A P H Y – C H R O N I C L E I N H A L T S t u d i e n Bystrický, Peter: Werwolf in der
mittelalterlichen Literatur ... 597 Horizons Savič, Zvezdan – Zdravkovič, Danijela – Šiljak,
Violeta: Sokol-Bewegung als Modell der interkulturellen Zusammenarbeit ... 679 Slowakische Historiographie 2012 (Alžbeta Sedliaková) ... 739 K R I T I K – G L O S S E N – B I B L I O G R A P H I E – C H R O N I K BYSTRICKÝ, Peter. The image of the werewolf in medieval literature. Historický časopis, 2014, 62, 4, pp. 597-620, Bratislava. The subject of the study is the transformation of humans into wolves in medieval chivalric romances, rhymed tales (lais), educational works, Norse sagas, Russian literature and Serbian folk songs. The medieval idea of a werewolf was anatomically an ordinary wolf, but it retained human memory, mind, habits and upbringing. People, almost always men, became wolves either voluntarily with help from magic, wolf skin or enchanted objects such as rings, or involuntarily when somebody cursed or betrayed them. In medieval chivalrous literature, the traitor was always a woman, either a malicious wife or jealous step-mother. One of the conditions for a werewolf’s return to human form was clothes, a motif already found in the antiquity. Werewolves with cyclical transformations hid their clothes, because without them they would remain wolves until the end of their lives. The details of transformation into wolves in the Primary Chronicle, Russian heroic poems (byliny) or Serbian folklore are not known, but the circumstances indicate that this ability was attributed to wizards and heroes. Key words: Werewolf. Wolf. Middle Ages. Literature. Transformation. Lycanthropy. KUŠNIRÁKOVÁ, Ingrid. The reform of monastic institutions in the context of the ecclesiastical reforms of Maria Theresa. Historický časopis, 2014, 62, 4, pp. 621-644, Bratislava. The study is concerned with the reform of monastic institutions in the reign of Maria Theresa. The first part traces the process of formation of the ecclesiastical policy of the Vienna court, its leading figures and the currents of thought that inspired it. The second part is directed towards the specific measures by the state, which changed the position of the monastic communities in society. Key words: Maria Theresa. Joseph II. The Enlightenment. Ecclesiastical reforms. Reform of the monasteries. HALLON, Ľudovít – SCHVARC, Michal. Ideas, reality and the international context of the social state in the Slovak Republic of 1939-1945. Historický časopis, 2014, 62, 4, pp. 645-678, Bratislava. The conservative forces in the Slovak society of the first half of the 20th century sought models in Christian solidarity and the corporate state, which would replace parliamentarism of the Western type. The ideas could be put into practice after the seizure of power in autumn 1938 and especially after Slovakia became indepen-dent in March 1939. However, the ally of independent Slovakia, Nazi Germany rejected the corporate state. Therefore, the idea of Christian solidarity was replaced with the idea of Slovak national socialism and plans for a corporate social system for the Slovak working community according to the German model. The regime of the Slovak Republic of 1939 – 1945 attempted to put the new principles of the social state into economic and social practice. However, the implementation of the ideas of the time about a social state and the political system of Slovakia stopped half way. Key words: Christianity. Solidarity. Encyclicals. Socialism. Nationalism. Parliamentarism. Political system. Trade unions. State. Regulation. Measures. SAVIĆ, Zvezdan – ZDRAVKOVIĆ, Danijela – ŠILJAK, Violeta. The “Sokol” movement as a model of intercultural cooperation. Historický časopis, 2014, 62, 4, pp. 679-693, Bratislava. This paper is based on the analysis of cultural cooperation between the Serbian and Czech nations in terms of theoretical observations of cultural characteristics of the Sokol movement or social organization that emerged in the early twentieth century along with the process of national awakening of the Slavic peoples, and contemporary trends that initiated its renewal in Serbia. The Sokol movement was a Slavonic national organization, with societies in all Slavic countries. The Sokol movement’s task was to educate its members in the spiritual and national unity of their body, guided by the principles of morality, ethics, aesthetics and democracy in terms of ideas, set by its founder Miroslav Tyrs. The idea of Tyrs’ Sokol movement could be defined as the whole idea of comprehensive education of individuals, covering both their spiritual and physical activities in accordance with the characteristics derived from a synthesis of national feelings, cultural cooperation, harmony, and the height of one‘s ideals. The Czech Sokol movement was an expression of the national resistance and unity of all Slavs. The Serbian Sokol movement strove to equate Sokol thinking with Serbian ideas of the liberation, unity and progress of the whole Serbian nation. The Sokol movement constituted part of the rich cultural traditions of the Czech and Serbian peoples. Theoretically, the outcome of the work would be reflected in the form of descriptions of the origin, dynamics and effects of the Slavonic association of two cultures through the Sokol movement. At the same time we must not lose sight of the fact that theoretical observations can be a significant advantage but not a sufficient condition for the successful consideration of the studied effects of cultural cooperation between the Serbian and Czech nations. Key words: Sokol movement. Culture. Cooperation. Serbian society. DRÁBIK, Jakub. On the problem of defining fascism, the “new consensus” and the development in fascist studies. Historický časopis, 2014, 62, 4, pp. 695-718, Bratislava. Slovak historiography has been stubbornly ignoring the progress that has been made in fascist studies in recent years. This article seeks to provide an overview of the development in comparative fascist studies, with an emphasis on the “new consensus” historians. The main focus is on Roger Griffin’s definition of fascism as a genus of political ideology, whose mythic core in its various permutations is a palingenetic form of populist ultranationalism. This article also argues that, if properly used, Griffin’s definition can provide a valuable heuristic tool for recognizing and analysing fascist movements. Key words: Fascism. New consensus. Fascist studies. Historiography.
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